Question: How can we conduct the meeting of friends at the convention?

Answer: The meeting of friends at the convention should include all the groups worldwide. You can include greetings, but they shouldn’t take much time. Being given an opportunity to say a greeting, the group must value time; 15 seconds is even enough. The focus is all on your love and connection.

The meetings of friends have to reflect the world group in the first place, that is, our huge volume. You need to prepare a number of small spots so that there is a huge impression of the immense united global desire, connected above all the continents, differences, time, and distance; so we know that that there is a great number of us; so we feel mutual dependence, connection, and love.

In principle, that is what the meeting of the world group means—to become impressed from each other by the greatness of the goal, the greatness of our power and aspiration.

Question: How do you see the cultural evenings at the convention?

Answer: I think that the cultural evening should be with fewer words and expressed more in music and songs, moreover, more in tunes without words to make them more international. Although the host countries of the convention have their own South American culture with exciting rhythms, they need take into account all the other people. So you could have half of the time dedicated to local folklore, and the other half to our common tunes, which are even better without words when we are just humming the melody together.
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From the Virtual Lesson 4/22/04, Preparation to the Congress

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Question: What should the music at the convention be like so it would really warm people’s hearts?

Answer: Joyful music is not mindless partying. Rather, it has to awaken a good feeling within me, sympathy for what is happening. At the convention, as well as every day, we must imagine our future state that we aspire to, from which we want to receive an illumination, a glow, an influence. Let the Light that reforms come from there and draw us there.

Looking at something beautiful, I am automatically drawn to it. But in this case I have to imagine the beauty myself, as an exercise before and during the convention. In December we will immerse ourselves in the world of the future for 72 hours. We have a single vessel in which a general bestowing force becomes revealed and we all dwell in mutual bestowal.

What do we discover by that other than a feeling of euphoria? What are our relationships? How do we interact in the family, among friends, at work (with our coworkers, employees, and employers), in the economy of the new generation, in ecology, in society? We are entering a new world and are starting to check its details: culture, upbringing, science, our attitude to all kinds of things…

And that’s where music can help us develop the right approach to life. And it doesn’t matter if it has words or not.

However, music should not draw me to any sad thoughts, to anything reminding me of a descent or despair. And this prohibition is effective in our day-to-day work as well. Sad music, the left line can only be used if I have built a strong right line ahead of time and am in it. As Baal HaSulam writes, only half an hour a day can be spent on critical self-analysis, on the condition that I worked in the right line for 23.5 hours.
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From the 4th part of the Daily Kabbalah Lesson 11/1/11, “The Love for the Creator and Love for the Created Beings”

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Concert from Secrets of the Sages
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The language of branches can be very useful if we are in two worlds simultaneously. It explains to us how to use the objects of our world in the most effective way so as to influence other people through them, awakening them to correction.

If I had precise knowledge of man’s nature and that of all the objects at my disposal, I might be able to awaken the whole world to correction! I would know exactly what films, texts, and music are necessary for this. I would make a calculation on their souls and the forces I want to enact inside of these souls according to their inner structure, which is known to me.

However, since for now they do not understand communication on the level of souls and inner forces, I translate it to a different dimension, to the level of their material hearing and sensation, as well as the sounds of musical instruments. That way I gain an opportunity to influence them.

Through these external instruments, I can awaken inner forces within them which they don’t even know themselves. This influences them through the external hearing, through music, and gradually awakens inner forces within them. That’s because a person is an integral system in which corporeality and spirituality unite. It is therefore possible to influence a person by material means, but with an intention to influence him on the inner, spiritual level. That way it is possible to lead him into vibrations and a resonance, and to receive a reaction on layers that he does not even suspect himself through hearing music and other external influences.

That is exactly how we awaken ourselves by reading Kabbalistic books, such as The Zohar and Talmud Eser Sefirot. We thereby raise our sensitivity to the Light that Reforms. This Light is not present on the material level. But Kabbalists have arranged it so that through this external influence on my ear and eye, I receive an inner influence as long as I attune myself with the desire to receive precisely this.

Therefore, if we find out the connection of the roots with the branches on the levels of two parallel worlds, spiritual and material, one against the other, then it is possible to awaken the whole world to correction. We actually do act that way, but not with the same might as the authors of The Zohar do.
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From the 4th part of the Daily Kabbalah Lesson 2/21/11, “Introduction to the Book, Panim Meirot uMasbirot”

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We are very happy for “The Last Generation” band (“Dor HaAcharon”), who completed a series of very successful concerts around the country of Israel recently. Tens of thousands of people welcomed the group with great excitement in Natanya, Beer Sheva, Haifa, Eilat, Jerusalem, Modiin, Hadera, Rehovot, and Kibbutz Dan. A major concert also took place last Monday, September 6th at “Barbi,” a club in Tel Aviv where more than a thousand of people attended.

Happy New Year to them all!
Wishing continued inspiration and success in their work!

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A question I received: What is a song? Is it a prayer (MAN), an awakening from below?

My Answer: The entire process of the spiritual work is included in a song. Similar to our spiritual work, a melody always contains the collision of different sounds with altering pitches and pauses without which we wouldn’t hear a melody but only noise.

Why does a melody give us a feeling of harmony and awaken our emotions? Why is it that a particular sequence of sounds is capable of suddenly making us laugh or cry? A sound is but an aerial wave of a particular frequency that affects the eardrum. What is this inner mechanism whereby mechanical actions and electrochemical reactions inside the brain turn into emotions? Moreover, emotion isn’t contained in the sounds themselves, but the sounds awaken the emotions in us.

How can somebody else convey to us a feeling via this essentially inanimate mechanism, via this inanimate process, which penetrates inside our living, animate organism and awakens in it feelings on the human level?

This is a complicated process. All this is possible only because a melody contains separate sounds of varying pitches and breaks or pauses between them. That is, it contains the same qualities present in our work with the three lines: right, left, and middle.

From the 1st part of the Daily Kabbalah Lesson 4/21/10, The Zohar

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The Zohar, Chapter “Shemot (Exodus),” Item 333: The ministers below are called “Levites” because they accompany and join above as one [Livui means accompanying], and because one who hears the singing becomes accompanying and his soul clings upwards, in the Creator.

A song is the revelation of the Light of Hochma in the Light of Hassadim, the greatest revelation there is. "The Song of Songs" is the peak of adhesion, connection, and unity between the creature and the Creator. Psalms are songs, which King David (Malchut) revealed in the darkness, they are revelation of the Light of Hochma in the Light of Hassadim.

Sometimes it seems to us that King David cries, not knowing what to do, and hides from enemies; yet in this darkness, he reveals Hassadim, the Creator’s mercy. Thus it is a song.

First we need to reveal the right line, faith or Hassadim, while suppressing the left line and holding onto the right one alone. When Hassadim are revealed completely, we rise into Bina and see that we can stay in mercy in all the desires, on this whole degree (in the desires of GE). Then we begin to work with the desires of reception (AHP) and rouse the left line. In other words, we begin to awaken the forces of Malchut and to accept the Light of Hochma in these receiving desires.

By elucidating our desires of reception and adjoining them to the right line, we thereby build the middle line. The state when the Light of Hochma is revealed in the Light of Hassadim, when the left line connects into the right line and gives raise to the middle line, it is called a song. This is called a "crusade" since we switch from state to state as a result of these relocations, thereby advancing by the three lines: Ibur, Yenika, and Mochin. We first prepare the desires, and then we fill them with Light.

Therefore, Psalms (the songs) of King David describe all the different states during the correction of Malchut in the three lines. They contain the immense Light that overspills the Kli, meaning that the correction is so high that the Kli becomes completely like the Light.

From the 1st part of the Daily Kabbalah Lesson 4/21/10, The Zohar

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The Zohar, Chapter “Shemot (Exodus),” Item 40: We open our eyes and see the wheels of the holy Merkava traveling in their journeys, and the sound of singing, sweet to the ears, to Bina, and beautiful for the heart, Malchut, rising and falling and walking, and not traveling.
…and Hochma is obtained only by journeying from line to line in the three points – Holam, Shuruk, Hirik – the sound of singing is heard. This is illumination of Hochma for the ears, which are Bina, primarily through the middle line, Tifferet, called “voice.” And it is imparted from him, from the heart, to Malchut.

A question I received: Singing is an exalted spiritual action that begets “illumination of Hochma for the ears, which are Bina,” the Light of Hassadim. How is this connected to the music put out by Bnei Baruch?

My Answer: I really like the songs written by my students Moti Mor and Arkadi Duchin. They are born from an impression of a person who is already on the spiritual path and aspires to spirituality. The fact that he hasn’t yet attained exalted levels does not matter.

Baal HaSulam writes that even a simple person may intuitively assign correct names and connect corporeal branches to their spiritual roots. For instance, some time ago some person saw the Mount of Olives in Jerusalem and thought that it was good for growing olive trees. Thus he named it Mount of Olives. Today we accept this appellation as sacred.

Baal HaSulam explains that thereby the spiritual clothes the corporeal, and the connection between the root and the branch manifests. The spiritual root affects its branch, and the branch as though “speaks” out of the root, naturally, without even knowing why.

Therefore, those who study Kabbalah create the right art even if they have not yet reached the heights of absolute spiritual sensation or attained the true nature of sounds and the deep meaning of words. The depth and richness of the impression they possess is much greater than they themselves realize. Everything that a person creates out of his connection with the Source already carries within it a spiritual spark.

From the 1st part of the Daily Kabbalah Lesson 4/12/10, The Zohar

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