Spiritual Playwriting

laitman_919Remark: Over the many years of practicing Kabbalah, we have studied the articles of Baal HaSulam and Rabash dozens of times. The most interesting thing is that remembering almost every line by heart, you understand that as a result, you do not know anything. On one hand, it is amazing, but on the other hand, it is frightening.

My Comment: This happens because our abilities to analyze the text, to include it in ourselves, change. Therefore, each time everything seems completely new, on a new level. This is the property of Kabbalistic texts and of those who read them.

Remark:  Rabash did not finish any literary institute, did not study the rules of writing articles, but expressed himself very clearly, according to the rules of the genre.

My Comment: This is not surprising to me because a person who feels the inner meaning of nature, its laws and their current, writes in accordance with this. All the laws of logic, all the points of the coup already exist in him.

In the same way, it seems to playwrights that they make the rules for writing literary works, but in fact, they also act out their inner desires, perhaps not yet corrected but in some ways already developed.

Gradually, we will understand that real playwriting lies in spirituality. It is precisely the attainment of spiritual properties that will bring out literature and any expressions of human relations to the level of truth.
From KabTV’s “The Last Generation” 1/2/18

Related Material:
Who Are Rabash’s Articles For?
How To Hear Rabash’s Articles
Reading A Kabbalistic Text

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