Making Music With The Upper Wind

Dr. Michael LaitmanThere is a very big problem in Kabbalah: this science is described using an allegoric language. It is written in a very difficult manner. Using strange examples, expressions, Kabbalists address us, people in this world, trying to tell us about how to make attempts to enter the Upper World. They are trying to tell us something about the upper world, about the qualities we should aspire to.

This language is extremely not simple. We must always try to translate it to the language of feelings until every word comes to resonate with the right feeling in a person. Every word must “pull” on some string inside of me, giving rise to an inner response.

Until that happens, the text is unclear to us. It is absolutely external, does not touch us, and we do not perceive it or adapt it inside of us, and do not act in accordance with it. We have to find how to feel what the author wants to convey to us. This is the most important thing. Reading a Kabbalistic text is like tuning a musical instrument. If we attune ourselves correctly, then this instrument will begin to play by itself.

It is written that King David had a harp hanging on the wall, and at midnight, when the north wind swept through the room, the harp played. We are the same. If we attune ourselves correctly to the external force, we will begin to feel its influence and desire, and will match it by qualities, reaching a resonance with it and “vibrating” like it. That is what we have to attain.
From the lesson in Moscow on 1/16/11, Writings of Rabash

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One Comment

  1. This is beautifully put, and once we have learned how to resonate ourselves, we can create the very wind that vibrates others. Ala, bestowing wind.

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